Sunday, July 24, 2011

Crushable

Crushable


I’d LIKE to Go to San Diego Comic-Con, But…

Posted: 24 Jul 2011 10:20 AM PDT

Hey, guys. It’s Lucia, your friendly neighborhood nerd. Can we talk about fan conventions for a moment? Awesome. Because guess what? San Diego Comic-Con, commonly known as SDCC, is happening this weekend, and as usual I’m bemoaning the fact that I live on the other side of the country. SDCC is the pinnacle of geekdom, a spectacular four-day extravaganza that celebrates comics, sci-fi, fantasy, anime, and all things nerd. This is the magical place where sneak peeks at hotly anticipated new movies happen, where intelligent discussions about the ethical and moral issues faced by superheroes past and present occur, and where fans get to mingle with their favorite actors, writers, artists, and filmmakers. Every year at this time, I bitch about the fact that I’m not there. Here’s the thing: You all know the sorts of things I write about. You know I’m a giant nerd. When I was living in London, I took a day trip out to Cardiff, Wales just to see a temporary exhibit of Doctor Who props and costumes at a random mall. When Return of the King came out, I totally would have done Trilogy Tuesday if I hadn’t been taking a Latin exam while it was happening. I’ve been to many midnight screenings of high-profile geek movies. But you know what?

Cons TERRIFY ME.

Need a little background info? Glad to oblige. I come from a big nerd family– Star Trek: The Next Generation was a family event in our house– so naturally, when I was a kid, my dad used to take my brother and I to Star Trek conventions on a regular basis. My brother went more often than I did; I was probably no older than three when these excursions started, which my parents deemed too young to go. So for a while, I watched my brother and my dad venture off into the great unknown, knowing that when they came home, they’d have a) stories and b) swag. The cons were one of the ways that some of the more specialized toys found their way into our home. My brother had boatloads of Trek action figures, but those were easily obtained from our local Toys ‘R’ Us. Here, I mean the really spectacular toys: Working phasers, tribbles that squeaked when you squeezed them, disappearing-reappearing transporter mugs, and so on. I was thrilled when I was finally old enough, at the ripe old age of roughly five, for my dad to take me with them. Unfortunately, the experience ended up being a little less momentous than I’d hoped. Here’s what I remember from my first Star Trek convention:

  • Knees. No, really. I’m short as an adult, but I was TINY as a kid. With the exception of the times my dad picked me up so I could get an idea of what was going on, I mostly remember looking at a lot of people’s knees, because that’s what I was eye-level with.
  • Not actually seeing actors in person. Not because they weren’t there– they most certainly were– but because I was kind of afraid to meet them. I was young enough that it was still difficult for me to differentiate between fictional characters and real-life actors, so I figured it was safer to let them be.
  • Swag. I came home with a miniature Deanna Troi from Next Gen and a tiny Lucas from seaQuest DSV, complete with Darwin the dolphin. I also came home with a headshot of Marina Sirtis, the actress who played Troi, though I’m not entirely sure why. I didn’t really quite understand the concept of headshots at the time; nor did I understand that the principle reason they’re sold at cons is so that you can then go find the actual actor and get an autograph.
  • The crowds. Oh, god, the crowds. I wasn’t wild about large crowds when I was a kid, probably because I was so little, and I still don’t particularly like them now. They were both terrifying and exhausting then, and they’re terrifying and exhausting now.

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I’d LIKE to Go to San Diego Comic-Con, But…

10 Celebrities Who Fell For Teenagers

Posted: 24 Jul 2011 08:45 AM PDT

Dough Hutchison and his 16-year-old bride Courtney Stodden continue to swamp the news with their somewhat questionable marriage, but you know what? They are FAR from the only celebrity couple in this boat. These 10 celebs share the fact that half of the pair was barely legal driving age when they got together with the illustrious Mr. and Mrs. Hutchison. Ready for high levels of ick exposure? Proceed at your own risk.

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10 Celebrities Who Fell For Teenagers

Sunday Cute: Kitten Has a Box

Posted: 24 Jul 2011 07:15 AM PDT

Cats are such remarkable creatures. Give them an object, and they’ll be occupied with it for HOURS. Actually, most humans I know are like this too, so maybe it’s not that remarkable. However, it IS much cuter to watch a kitten try to figure out what to do with a box than it is to watch a human do the same, so here. Have a kitten with a box that’s not Maru.

Happy Sunday!

[Via Buzzfeed]

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Sunday Cute: Kitten Has a Box

Creepy Things That Seem Real But Aren’t: The Cabinet

Posted: 24 Jul 2011 07:10 AM PDT

Creepy Things That Seem Real But Aren't is a series that explores modern urban legends, bringing you a new tale each week.

It is unremarkable in appearance. Discovered in an abandoned industrial complex in the UK, it is 2 meters in height and constructed from slightly rusted steel. It measures 1.2 meters wide by 1.2 meters deep, and it has only one door which must be kept closed and locked at all times. The door opens inward; the lock, affixed to the outside of the door, consists of a slide-bolt, a hasp, and a padlock. The key to this padlock must be kept under guard at the adjacent security station by three personnel with Level 3 security clearance. The cabinet’s exterior features some corrosion and scratching, indicating its age. There are no other distinctive or identifying marks.

However, upon being unlocked and opened, THE CABINET reveals itself to be more than it appears. If the cabinet is entered, the person will encounter a hallway constructed of the same rusted steel as the cabinet itself. The hallway stretches on for miles, leading to a labyrinth composed of other rusted steel passages lit occasionally by light bulbs fastened to the wall in wire cages. The bulbs are an unreliable source of illumination, as they are often broken or burnt out. The labyrinth is impossible to measure; each time the door is opened, it opens into an entirely different section of the maze. Attempts to retrieve persons contained within the maze in the event of the closing and reopening of the door have been unsuccessful. However, as long as the door remains open and the person entering the maze can remember or otherwise track their way back, the maze can be entered and exited safely. GPS devices do not work within the maze, and remote-controlled devices sent into it cease to function after traveling 20 meters.

Several expeditions have been sent into the cabinet in an attempt to map its interior. The standard equipment for each expedition is as follows:

  • 1 flashlight with a 3-hour lifespan with additional power sources providing up to 6 additional hours
  • 1 headset microphone linked to Control
  • 1 shoulder-mounted video unit for wireless transmission
  • 2 0.5 L bottles of water
  • 2 high-calorie energy bars
  • 8 sticks luminous marker chalk

 

Summary of select expeditions:

EXPEDITION 1
Subject: Male, average physique. Background shows history of aggravated assault and burglary.

Subject is equipped with standard expedition package. Camera is activated and subject enters the cabinet. The door is held open by a 3kg weight placed inside the doorway, with technicians on hand to remove the weight and close the door if required.

Camera shows a short metal hallway extending for approximately 5 meters before turning a corner. Control directs subject through maze uneventfully for approximately 47 meters, marking the walls with the luminous chalk to document the path that has been traveled. After 47 meters, Control notes that video quality has begun to degrade; monitors now show interference. Control does not inform subject of degradation of video. After traveling a further 16 meters, subject asks Control if they heard anything. Control responds in the negative. Subject replies that he can hear someone banging on the wall and shouting, though he also remarks that the noise appears to be coming from a significant distance away. Subject tells Control that the person sounds “fucking scared.” Control boosts audio gain and discerns noises comparable to those described by subject. Subject reluctant follows Control’s order to travel towards the sound. After 14 meters, video interference increases and signs of audio interference are detected. The floor now appears to slope downward; after 27 meters, the floor levels out, a which point subject stops, crouches, and swears. Control asks why subject has stopped. Subject does not respond, though intensified breathing indicates psychological distress. Control asks again why subject has stopped. Subject replies that he heard a scream, after which the banging and shouting stopped. Control instructs subject to move forward; subject becomes severely agitated and requests to be allowed to leave. Control again instructs subject to move forward. Subject argues for several minutes, then obeys. Subject turns right at a T-junction and follows the tunnel until the dead-ends after 6 meters. Control instructs subject to return to T-junction and follow the left fork. Subject complies. Left fork tunnel dead-ends after 4 meters. Control then recalls subject. Subject retraces path, following the luminous chalk markers; at a junction, subject stops and again asks Control if they heard a noise. Control confirms, but requests that subject describe the noise. Subject describes noise as wind. Subject’s camera then catches a drift of what appear to be dead leaves blowing from an unexplored tunnel. Subject notes that wind smells stale. Control instructs subject to collect several leaves, then to proceed down the new tunnel to locate their source. Subject reluctantly complies. As subject approaches tunnel entrance, a loud roar is heard, similar to a bear or other large animal. Subject panics and runs towards exit, ignoring Control’s instructions to investigate the sound. Subject exits cabinet, the expedition is aborted, and the door is closed and bolted.

Distance traveled: 114 meters.
Materials recovered: 12 leaves.
Analysis: 3 Oak leaves, 4 Ash, 2 Rowan, 3 Maple. Leaves are dry and crumbling, indicating extreme age.

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Creepy Things That Seem Real But Aren’t: The Cabinet

Snap This: A 6-Year-Old’s Letter to Dumbledore

Posted: 21 Jul 2011 06:49 PM PDT

Did you ever write letters to your favorite characters when you were a kid? Back during the days when I couldn’t differentiate between real-life people and fictional people, I know I certainly did. My letters definitely weren’t this cute, though. Behold the most charming letter you’ll ever read: A 6-year-old’s message to Harry Potter’s illustrious Albus Dumbledore. Just wait six years, kid. Your owl will come.

Spoilers ahead if you haven’t read Deathly Hallows or seen the movie, so click through to see the whole letter. It’s adorable. Awwww.

[Via Buzzfeed]

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Snap This: A 6-Year-Old’s Letter to Dumbledore

Amy Winehouse: A Musical Retrospective

Posted: 23 Jul 2011 12:01 PM PDT

In the wake of the news of Amy Winehouse’s overdose this morning, we offer a look at Winehouse through the years, from beginning to end– using, of course, the music. The extraordinary music.

Amy Jade Winehouse was born in Southgate, a neighborhood in North London, to parents Mitchell, a taxi driver, and Janis a pharmacist. Her father was constantly singing Sinatra around the house, a habit that young Amy picked up. Her family was also responsible for instilling in her a love of jazz, which would later influence her own music. She showed promise as an actress; at the age of nine, her grandmother suggested that she enroll in the Susi Earnshaw Theatre School for proper training. Winehouse stayed there for four years before moving on to the prestigious Sylvia Young Theatre School; however, she was expelled from Sylvia Young, ostensibly for her lack of focus and attention (though some suspect her newly-pierced nose also had something to do with it). At 13, she got her own guitar; she began writing her own songs a few years later.

In 2002, she lucked out: Her boyfriend of the time, soul singer Tyler James, sent a demo tape of Winehouse’s music to an A&R person, after which Winehouse signed to Simon Fuller’s 19 Management. Her debut album, the heavily jazz-influenced Frank, took the music world on by storm, achieving platinum sales, BRIT Award nominations for British Female Solo Artist and British Urban Act, and the Ivor Novello songwriting award for Best Contemporary Song. That song was “Stronger Than Me:”

And Winehouse was off and running. It’s almost certainly her 2006 album, Back to Black, that became the defining Amy Winehouse album. In May of that year, demo tracks of “You Know I’m No Good” and “Rehab” hit the airwaves on Mark Ronson’s radio show on East Village Radio, giving listeners a first taste of what would become two of her best-known songs. The album was released on the 30th of October, 2006 in the UK and quickly shot to the top of the charts– indeed, it was the best-selling album of 2007 in the UK. “You Know I’m No Good” would go on to become the theme song of the television show Secret Diaries of a Call Girl and would be covered by bands such as the Arctic Monkeys.

And “Rehab?” The irony and tragedy there escapes no one. Many recall this as the first Amy Winehouse song they heard, a number among which I count myself. It earned accolades as the Best Song of 2007, though at the time, no one realized that the sentiment behind it wasn’t as much of a joke as we all initially thought. She had battled substance abuse problems for a number of years and went through a period of heavy drug use in 2005. In 2007, despite her success with Back to Black, she ended up cancelling a number of shows in the UK and Europe due to what was publicized as exhaustion. It’s possible that the death of her grandmother– the same grandmother who enrolled her in drama school, and who has apparently one of the few stabilizing forces in her life– was the catalyst for what would become a life of excess and addiction. During this time, Winehouse was hospitalized for an overdose, and her turbulent relationship and marriage with Blake Fielder-Civil became daily tabloid fodder.

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Amy Winehouse: A Musical Retrospective

Video Gallery: 9 Awesome Stop-Motion Animation Films You Probably Haven’t Seen (But Should)

Posted: 23 Jul 2011 11:50 AM PDT

You’ve seen Nightmare Before Christmas. You’ve probably seen Corpse Bride and James and the Giant Peach. If you’re a Wes Anderson fan, you’ve most likely seen The Fantastic Mr. Fox. Neil Gaiman fan? You’ve seen Coraline. And of course you’ve seen Wallace and Gromit. They’re all terrific films, and they’re all enchanting examples of stop-motion animation. I’m a big fan of stop-motion; it’s a nice change of pace from all the CG animation that’s become the norm in the film industry these days. But you know what? There’s LOADS of stop-motion animation out there, and there’s a good chance you haven’t seen most of it. Oh, and a lot of it is available on Netflix, so it’s pretty easy to get a hold of. So why not do yourself a favor and introduce yourself to something new? You’ll thank yourself for it. I promise.

1) The Pirates! Band of Misfits
This is the one film on the list you have an excuse for not having seen: It hasn’t come out yet. But when it does, promise me that you’ll flock to the cinemas to see it, okay? Because it’s going to be awesome. Hugh Grant voices his first animated character in this film from Aardman Animations (the studio that brought you Wallace and Gromit and Chicken Run), and he’s a pirate captain at that. THE Pirate Captain, as a matter of fact, and he’s off on an adventure to beat his rivals Black Bellamy (Jeremy Piven) and Cutlass Liz (Salma Hayek) for the Pirate of the Year award. Also, they battle Queen Victoria (Imelda Staunton) and meet Charles Darwin (David Tennant). I’ve read the book it’s based on, The Pirates! in an Adventure with Scientists, and it’s HILARIOUS; I can think of no better way to adapt it to the screen than as a stop-motion animated film.

2) Alice
Czech filmmaker Jan Švankmajer is known for his live action/stop-motion hybrids, of which Alice (Czech title Něco z Alenky, or Something from Alice) was his first feature-length project. A loose adaptation of Alice in Wonderland, Alice features a Wonderland that is perhaps less wonderful and more frightening. Instead of a rabbit hole, Alice falls into a desk drawer, and her adventures happen within the bowels of a strange and decrepit house. The creatures that populate this world are made up of household objects: A sock puppet as the Caterpillar, a decorative taxidermically stuffed rabbit as the White Rabbit, cardboard cutouts as the King and Queen, and so on. It’s weird and a little freaky, but definitely worth a look, especially if you’re into Wonderland as a concept.

3) Shaun the Sheep
Another creation of Aardman Animations, Shaun the Sheep is a delightful television show that centers around a young sheep named Shaun and his flock and all they have all the madcap adventures they have on their farm. Technically it’s a kid’s show, but hey, so is Doctor Who, and that’s never stopped hoards of fully-grown adults from enjoying it. Fun fact: Shaun made his first appearance in the Wallace and Gromit short “A Close Shave”.

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Video Gallery: 9 Awesome Stop-Motion Animation Films You Probably Haven’t Seen (But Should)

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